Barbara Hepworth 1903-1975
Born in Wakefield, Yorkshire, she studied at Leeds College of art in 1921 and at the RCA 1921-4. In 1924-5 she lived in Italy, and married fellow sculptor John Skeaping. In 1932 and 1933 she and Ben Nicholson (who later became her second husband) visited Picasso, Braque, Mondrian, Arp and Branscusi. She joined Abstraction-Creation in 1933, was a member of Unit One, and befriended Gabo when she and Nicholson moved to St Ives at the outbreak of the Second World War.
During the early part of the war she concentrated on drawing, using some colour. In 1948 she exhibited paintings at Reid and Lefevre, carried out with a mixture of pencil and oil paint, of surgical operations she had observed when her daughter had been hospitalised. Celebrated as a sculptor however, she was selected to succeed Moore at the British Pavilion for the 1950 Venice Biennale. She was one of the few female artists of her generation to achieve international prominence.
Surprisingly her first public commission did not come until the 1951 Festival of Britain, but after Venice an increasing number followed such as the Rietveldt Pavilion at Sonsbeek Park, which would later be transferred to the Rijksmuseum Kröller-Müller, and for the UN headquarters in New York, which called for a work on a monumental scale. ... read more
Born in Wakefield, Yorkshire, she studied at Leeds College of art in 1921 and at the RCA 1921-4. In 1924-5 she lived in Italy, and married fellow sculptor John Skeaping. In 1932 and 1933 she and Ben Nicholson (who later became her second husband) visited Picasso, Braque, Mondrian, Arp and Branscusi. She joined Abstraction-Creation in 1933, was a member of Unit One, and befriended Gabo when she and Nicholson moved to St Ives at the outbreak of the Second World War.
During the early part of the war she concentrated on drawing, using some colour. In 1948 she exhibited paintings at Reid and Lefevre, carried out with a mixture of pencil and oil paint, of surgical operations she had observed when her daughter had been hospitalised. Celebrated as a sculptor however, she was selected to succeed Moore at the British Pavilion for the 1950 Venice Biennale. She was one of the few female artists of her generation to achieve international prominence.
Surprisingly her first public commission did not come until the 1951 Festival of Britain, but after Venice an increasing number followed such as the Rietveldt Pavilion at Sonsbeek Park, which would later be transferred to the Rijksmuseum Kröller-Müller, and for the UN headquarters in New York, which called for a work on a monumental scale.
Hepworth was awarded the Grand Prix at the 1959 São Paulo Art Biennial. She also was awarded the Freedom of St Ives award in 1968 as an acknowledgment of her significant contributions to the town.
She was appointed CBE in 1958 and DBE in 1965. In 1973 she was elected an honorary member of the American Academy of Arts and Letters. Following her death, her studio and home in St Ives became the Barbara Hepworth Museum, which came under control of the Tate in 1980.
In 2011, The Hepworth Wakefield opened in Hepworth’s hometown. The Museum was designed by the famed architect David Chipperfield.
In January 2015, Tate Britain held the first big London show of Hepworth’s work since 1968. It brought together more than 70 of her works, including the major abstract carvings and bronzes for which she is best known.
read less
Modern British 2020