Patrick Heron 1920-1999
Patrick Heron was one of Britain’s most significant colourist painters, an artist and critic, who could contribute to the development of, as well as the understanding of, abstract painting. His startling experimentations in colour and the physical presence of his painting, set him among the most visually stimulating British artists of the 20th Century. ... read more
Patrick Heron was one of Britain’s most significant colourist painters, an artist and critic, who could contribute to the development of, as well as the understanding of, abstract painting. His startling experimentations in colour and the physical presence of his painting, set him among the most visually stimulating British artists of the 20th Century.
From his earliest years as an artist, Heron favoured gouache for its opacity, rendering forms flat and ensuring unity across the paper’s surface. Lacking the translucency (and hence depth) of watercolour, gouache emphasises colour, and hence its function as a modifier of space. From 1962, Heron sharpened the edges between colours, preoccupied by the interaction of one upon the other. He was adamant that his gouaches were neither substitutes for oil paintings nor preliminary sketches, or even ‘a means of trying out new colour-shapes or configurations of dovetailed colour-shapes’ for use in later works on canvas.¹ They were paintings in their own right.
As with his oil paintings, however, the gouaches stemmed from rapid sketches on paper using ballpoint pen. He wrote, ‘I like the water in the paint mixture to lead me, to suggest the scribbled drawing which gives birth to the images’.² The tempo of the medium, which Heron described as ‘fast moving fluidity’, influenced the resultant jigsaws of wobbly edged forms, which owed a debt, too, to the granite rocks, coastline and ancient field patterns of the landscape near Eagle’s Nest at Zennor in Cornwall, Heron’s permanent home from 1956. As he acknowledged, ‘the rhythmic realities of a landscape where you live permeate your mind and your awareness, and your consciousness from the soles of your feet upwards’.³
¹ Patrick Heron, ‘A Note on my Gouaches’, text to accompany an exhibition of gouaches at the Caledonian Club, Edinburgh (1985).
² Patrick Heron, ibid.
₃ Patrick Heron, interview with Martin Gayford (1997), in Patrick Heron, ed. David Sylvester (London: Tate Publishing, 1998).
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