On 23 July 1943, the Reverend Walter Hussey, Sir Kenneth Clark and Sir Jasper Ridley (1887–1951) visited Moore’s studio to see five maquettes for a Madonna and Child commissioned by Hussey for his parish church of St Matthew’s, Northampton. Hussey had approached Moore after seeing his Shelter Drawings in an exhibition at the National Gallery in autumn 1942. As a result, between April and June 1943, Moore compiled his ‘Mother and Child Sketchbook’, from which he modelled twelve different maquettes in clay. The example chosen by Hussey, from the five maquettes Moore presented, was enlarged and carved from Hornton stone, to be installed in early 1944.

Ridley, through his close involvement with the work’s genesis and execution, decided to commission a Madonna and Child from a different maquette, partly as a war memorial for his parish church in Claydon, Suffolk, but also to commemorate his own son, Jasper Ridley (1913–43), who had died in the war. This sketch, in pencil, ink, wax resist and wash, closely reflects the design of the Madonna and Child (1948–9) for Claydon, except in one detail: Moore, who apparently felt that the carving lacked sufficient majesty, added a crown, which he built up over several days using ground stone and fixative.

Asked in 1952 to provide a design to be reproduced on Christmas stamps, as part of a publicity campaign for the newly founded National Fund for Poliomyelitis Research (now Action Medical Research), Moore gave this drawing to the charity’s founder, Duncan Guthrie. The image of a mother and child would hold particular significance for Guthrie, whose young daughter, Janet, was diagnosed with polio in 1949.

The Artist
By whom gifted to Duncan Guthrie, 1952
Private Collection, U.K.
Osborne Samuel, London

This is recorded with the Henry Moore Foundation as HMF 2186b