Philip Vann’s accompanying essay gives us for the first time a thorough understanding of Power’s work, putting it firmly into a contemporary context. Published in hardback in 2013. 112pp.
Published to accompany an exhibition organised by The Henry Moore Foundation.
David Mitchinson, former Head of Collections and Exhibitions at The Henry Moore Foundation, has written a new book, Henry Moore: Prints and Portfolios.
Celebrating Moore is the biggest single volume to be produced on the artist’s oeuvre, reproducing in full colour over 300 of his most important works.
Henry Moore’s rise from Yorkshire miner’s son to international acclaim as the twentieth century’s greatest sculptor is one of the most remarkable stories in British art.
Henry Moore’s writings constitute a vivid and comprehensive record of his life and work, of the influences that shaped his vision, and of his reactions to the work of other artists, periods and cultures.
Early in the Second World War, Henry Moore had to give up working on sculpture when his Hampstead studio was bombed. Instead he concentrated on drawing, creating a monumental series of works showing the plight of people sheltering in the London Underground.
Catalogue for the exhibition Henry Moore: Drawings & Sculpture at Osborne Samuel Gallery 22 May – 27 June 2015.
Henry Moore, renowned throughout the world for his sculpture and drawings, was one of the few modern artists to extend his work into the realm of tapestry.
Volume 1 journeys back to the earliest days of Moore’s career, reproducing 1000 drawings from the period 1916-29.
A remarkable evocation in full colour of the exhibition of Moore’s late monumental bronzes held in the Bagatelle garden’s Paris, in 1992.
This fourth volume of the Catalogue Raisonne of the Graphic work of Henry Moore by Patrick Cramer, Alistair Grant and David Mitchinson