Published to accompany an exhibition organised by The Henry Moore Foundation.
Volume 1 journeys back to the earliest days of Moore’s career, reproducing 1000 drawings from the period 1916-29.
This publication of the Catalogue Raisonne of the graphic work of Henry Moore by Gerald Cramer, Alister Grant and David Mitchinson
A remarkable evocation in full colour of the exhibition of Moore’s late monumental bronzes held in the Bagatelle garden’s Paris, in 1992.
Osborne Samuel Gallery has always specialised in British avant-garde prints, representing the Edward Wadsworth Estate and dealing in the prints of Nash, CRW Nevinson and William Roberts.
Philip Vann’s accompanying essay gives us for the first time a thorough understanding of Power’s work, putting it firmly into a contemporary context. Published in hardback in 2013. 112pp.
Prints have always been an integral part of our activities at Osborne Samuel Gallery. This catalogue was produced to accompany the exhibition at the gallery from 9 May – 4 June, 2016.
The artists most associated with Neo Romanticism are Sutherland, Nash, Piper and Moore followed by the younger generation of Ayrton, Craxton, Clough, Minton, Vaughan and the ‘Two Roberts’ Colquhoun and MacBryde.
This is the first book on British sculptor Sophie Ryder. Jonathan Benington examines Ryder’s inspiration behind the work, her unusual techniques, and its public reception.
This monograph records Tim Storrier's creative metamorphosis from the early 1970s to present times. A highly accomplished painter of landscapes, Storrier is not a landscape painter - rather he uses nature as a stage on which to play out poetic rituals and symbolic narratives. 216pp
This publication accompanies the exhibition Keith Vaughan: Centenary Tribute at Osborne Samuel Gallery from 8 November – 1 December 2012.
This publication accompanied the exhibition Keith Vaughan: Gouaches, Drawings & Prints at Osborne Samuel Gallery from 20 October – 12 November 2011.