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London’s War: The Shelter Drawings of Henry Moore
Early in the Second World War, Henry Moore had to give up working on sculpture when his Hampstead studio was bombed. Instead he concentrated on drawing, creating a monumental series of works showing the plight of people sheltering in the London Underground.
Henry Moore: Carvings 1961-1970
Lavishly illustrated with black and white photographs and full colour tipped in plates accompany a selection of short writings by the esteemed English artist. 108pp oblong softcover catalogue.
Henry Moore: Writings and Conversations
Henry Moore’s writings constitute a vivid and comprehensive record of his life and work, of the influences that shaped his vision, and of his reactions to the work of other artists, periods and cultures.
Henry Moore: Drawings, 1969-79
Catalogue of the exhibition at Wildenstein, New York, 14 Nov 1979 - 18 Jan, 1980. 80pp.
Henry Moore: Sketchbook 1980
Facsimile edition C of Henry Moore sketchbook from 1980 - numbered and signed by the artist from the edition of 350, with accompanying catalogue, published by Raymond Spencer Company Ltd.
Henry Moore: Complete Drawings Volume 1
Volume 1 journeys back to the earliest days of Moore’s career, reproducing 1000 drawings from the period 1916-29.
Nash and Nevinson: Impressions of War and Peace
Osborne Samuel Gallery has always specialised in British avant-garde prints, representing the Edward Wadsworth Estate and dealing in the prints of Nash, CRW Nevinson and William Roberts.
Nine Abstract Artists: Revisited
Portfolio containing 2 books, one a catalogue of an exhibition held by Osborne Samuel Gallery from 10 March to 9 April 2005, the other a facsimile edition of Nine Abstract Artists (1954), an important early survey of British abstract artists by key critic and theorist. 64pp
Breon O’Casey
This volume displays many examples of the artist's work in different media. It brings to the fore his work in painting and sculpture. 152pp.
Ana Maria Pacheco in the National Gallery
This work is a record of Ana Maria Pacheco's time as the fourth Associate Artist working at the National Gallery. 48pp