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A remarkable evocation in full colour of the exhibition of Moore’s late monumental bronzes held in the Bagatelle garden’s Paris, in 1992.
Early in the Second World War, Henry Moore had to give up working on sculpture when his Hampstead studio was bombed. Instead he concentrated on drawing, creating a monumental series of works showing the plight of people sheltering in the London Underground.
Published to accompany an exhibition organised by The Henry Moore Foundation.
Published by Maeght Foundation. 253 pp with colour images throughout.
Lavishly illustrated with black and white photographs and full colour tipped in plates accompany a selection of short writings by the esteemed English artist. 108pp oblong softcover catalogue.
Henry Moore’s writings constitute a vivid and comprehensive record of his life and work, of the influences that shaped his vision, and of his reactions to the work of other artists, periods and cultures.
Catalogue of the exhibition at Wildenstein, New York, 14 Nov 1979 - 18 Jan, 1980. 80pp.
Facsimile edition C of Henry Moore sketchbook from 1980 - numbered and signed by the artist from the edition of 350, with accompanying catalogue, published by Raymond Spencer Company Ltd.
Volume 1 journeys back to the earliest days of Moore’s career, reproducing 1000 drawings from the period 1916-29.
Osborne Samuel Gallery has always specialised in British avant-garde prints, representing the Edward Wadsworth Estate and dealing in the prints of Nash, CRW Nevinson and William Roberts.
Portfolio containing 2 books, one a catalogue of an exhibition held by Osborne Samuel Gallery from 10 March to 9 April 2005, the other a facsimile edition of Nine Abstract Artists (1954), an important early survey of British abstract artists by key critic and theorist. 64pp
This work is a record of Ana Maria Pacheco's time as the fourth Associate Artist working at the National Gallery. 48pp